The Lark — Pre-Production Requirements

01Contact details

Tour / production manager

Production name

Email

Mobile / WhatsApp

02Venue hire & schedule

From

To

Preferred start time

Day length

03Touring party & accommodation

Total crew count

Bedford House (en-suite Georgian rooms)

Single occupancy rooms

Double occupancy rooms

Nights

Japanese-style pods (shared sleeping pods)

Number of people

Nights

Accommodation notes

04Load-in & stage

Vehicles / trucks

Rigging

Local hands needed

In-house tech required

Studio / side-room requirements

05Audio

Tour carrying FOH console Tour carrying monitor console Tour carrying PA / speakers Tour carrying stage boxes Playback / click track in use IEM system in use Using in-house DiGiCo SD12 96 Sub-hire equipment needed

Additional audio notes

06Lighting

Tour carrying LX console Tour carrying fixtures Using in-house automated rig Haze / smoke required Follow spot required Video / LED screen in use

Additional lighting notes

07Additional services

4K video capture

11-camera system, same-day playback, on-site operator. Masters retained by artist.

Live broadcast / stream

Full multi-camera live stream from the dedicated broadcast suite.

Audio recording

Multitrack from the DiGiCo SD12 96. Masters delivered to the artist.

Lark 1 studio

First floor. 10m x 6.5m, 60" LED, 14 x 13A sockets, kitchenette.

Lark 2 studio

Second floor. 10m x 6.5m, AV projector, 14 x 13A sockets, kitchenette.

Crew catering

Breakfast, lunch and dinner at La-La on site. Rider fulfilment on request.

Sub-hire equipment

Anything not in-house sourced on a sub-hire basis.

08Catering & dietary (all meals included in room rates)

Catering required

Meal requirement

Lunch only Dinner only Lunch and dinner Hospitality rider

Dietary requirements

Upload hospitality rider

09Documents & notes

Technical rider / stage plot

Input list

Anything else

Pre-production requirements

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